Category: Fringe 2018 reviews
Fringe 2018 reviews
A Lesson in Brio
Written and directed by Stewart Lemoine
Teatro La Quindicina
Edmonton Fringe Theatre Festival 2018, hold-over
last show, Sat. Sept. 1., 2018
Varscona Theatre, 10329-83 Ave.
Edmonton, Alberta, Canada
4.5 of 5 stars
Review by GRAHAM HICKS, Hicksbiz.com
Teatro La Quindicina’s A Lesson in Brio (vitality, vigor, life, liveliness, animation, vivacity, spirit, spiritedness, etc.) is full of sweet irony, humourous manipulation of theatrical devices and positive thinking, darn it!
As always from the ever-flowing pen of Edmonton playwright Stewart Lemoine, there is a quirky, imaginative plot, gentle but deliberately contradictory themes, pathos … and a great deal of humour, in this play as much aural as visual.
Jenny McKillop steps on stage as Dr. Guinevere, with her PhD in the study of brio, which, in jocular lecturing style, she proceeds to define.
As might be expected in a Lemoine play, Dr. Guinevere then steps into the developing play as a character, having alre ...
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I, Idiot – Jem Rolls
Edmonton International Fringe Festival
Stage 13, Old Strathcona Public Library
4 of 5 stars
Last show: Sat. Aug. 25. 4:45 pm.
60 minutes
Review by GRAHAM HICKS, Hicksbiz.com
The English language has taken a beating these last few decades.
English literature – the great classics of the language – are skipped over in school.
Teachers no longer know the rules of English grammar and composition. In fact, they are now a second or third generation of fuzzy generalists when it comes to the teaching of English (as a small part of social studies; political correctness is given far more weight). None of them studied Latin, the language that explains grammar so well.
At the hundreds upon hundreds of shows at the Edmonton Fringe, theatre that leaves you delighted with the language – unless it’s true-to-the-original of Oscar Wilde, Charles Dickens, James Joyce or Shakespeare – are near non-existent.
Shows that use f* ...
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Review of improv comedy show TEDxRFT at the Edmonton Fringe Festival, 2018
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